It’s a blood-boiling story of American apathy - of a family more concerned with putting their name on museums than keeping people from harm, a pharmaceutical industry shrugging its shoulders at staggering death rates, and a medical community entirely unequipped to handle the surge. Like Gilded Age barons before them, the Sacklers sat atop a massive fortune, behind a fortress of lawyers and corporate privacy screens, while their company pushed Ox圜ontin onto prescription pads and out into America. In Radden Keefe’s meticulously reported and brilliantly assembled Empire of Pain, he traces that spill back to the family at the very center: the billionaire Sackler family, the owners of Purdue Pharma. The epidemic has spilled into every corner of American life.
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Opioid overdose has grown so common that some cities have installed Narcan vending machines and pharmacies put up posters showing customers how to administer it. has surpassed 100,000 deaths from drug overdoses in a single year - and opioid deaths accounted for more than 75 percent of those. The result is as delicate and determined as the story that inspired it.įor the first time, the U.S.
All That She Carried balances two aims: to share what it can of Ruth Middleton’s matrilineal family and to explore what their lives might tell us about the experiences of other Black women connected, thread by thread, to an uncertain past. Told her It be filled with my Love always / she never saw her again / Ashley is my grandmother / Ruth Middleton / 1921įrom there, she traces the likely lineage of this unlikely object - a bit of cotton that might have crumpled into dust, but instead carried a whole family’s legacy - and puts both what she learned and what might have been into this riveting book, which just won the National Book Award for Nonfiction. Miles, a Harvard historian and MacArthur fellow, had little definitive information about a simple embroidered sack found at a flea market in 2007, other than what it said: My great grandmother Rose mother of Ashley gave her this sack when she was sold at age 9 in South Carolina / it held a tattered dress 3 handfulls of pecans a braid of Roses hair.
But, ever the finance bro, Caine now considers his path on the straight and narrow an asset-and he’s going all in.The stories of enslaved Black Americans are still far too scarce, lost to time by a nation indifferent to more personal aspects of the experience.
His seeming renouncement of vice has far-reaching consequences: he’s now bent on reforming the corruption in the stock trading that was going to make him obscenely rich. Caine’s sudden affinity for animals also comes with a lifestyle change: he can no longer stomach the taste of meat and becomes a vegan. Wracked with guilt and remorse, he’s inexplicably drawn to every animal he encounters-a neighborhood dog, a bird on the street, the two lizards he adopts from a pet store. But when a lapse in judgment leads to him playing a potentially fatal prank during a dinner party at his home, Caine begins to reevaluate his life as he knows it. By all accounts, Herschel Caine, the protagonist of Andrew Lipstein’s The Vegan, has got it made: he’s a hedge fund manager who’s about to make it big, he has a beautiful wife, and he owns a townhouse in Brooklyn’s wealthy Cobble Hill neighborhood.
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